On April 22nd Symbol of Domination Productions will release Czech Madness, an album-length split by two destructive Czech bands, Khatano and Kundořez, which combines tracks from the debut releases of both groups. Today we’re bringing you one song from each band’s side of the album, preceded by some background information and impressions of these two murderous songs.
Khatano sprang to life in the Czech city of Ostrava in 2012 and released their first demo (Against This System) the next year. Their side of this split includes the 8 songs from that self-released debut. The song we’ve got for you today is a bruiser named “Cross and Halfmoon“.
The no-frills, garage-band sound of the song suits its primal punch, which features a prominent, beefy bass drive, methodical, clobbering drum beats, and hammering, down-tuned riffs. The heavy-grooved death metal elements in the song are paired with hardcore stylings, including raw braying vocals with a bloodthirsty mien. The song also features heavy, swarming tremolo-picked riffs in addition to those head-smashing chords, as well as off-pace interludes that magnify the song’s dismal and homicidal atmosphere.
Kundořez is a two-man project founded in 2015 (also in Ostrava), with a debut CD recorded the same year under the title Ženy na maso!. In addition to an intro and an outro, Ženy na maso! included 8 songs, and all 10 of those tracks make up the Kundořez side of Czech Madness.
The song we’re bringing you today is “Mrdak Menzessní“. Like Khatano, Kundořez integrate elements of death metal and hardcore to produce a viscerally potent beating that’s also infectious. “Mrdak Menzessní” is heavier than a lead weight, with an enormous bass sound, low-tuned riffs, and deep, gravelly death growls mixed with ugly, strangled expressions of venom. It’s primitive, pulsing music, with methodical drumwork that’s not fancy but suits the primal appeal of the song very well. It’s a very dark song, but also includes a flickering, swirling, ethereal lead guitar melody that comes and goes like a poltergeist.
Czech Madness includes almost 49 minutes of music and cover art by Paint-It-Black Design.
This is a review of a split album between Czech Republic's Khatano and Kundorez called "Czech Madness" which was released by Symbol Of Domination Productions and we will start off the review with Khatano a band that plays a mixture of death metal and hardcore.
Their side of the split starts out with some violent soundscapes before going into a very fast and heavy direction that uses a great amount of blast beats and the vocals are a mixture of angry hardcore style shouts and death metal growls while the riffs also use a decent amount of melody.
All of the musical instruments on their side of the recording have a very powerful sound to them along with the songs also bringing in a great mixture of slow, mid paced and fast parts and the music is very heavily rooted in the 90's and there side of the split always remains heavy, the production sounds very professional while the lyrics cover violent and angry themes.
In my opinion Khatano are a very great sounding mixture of death metal and hardcore and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "New Generation" and "Hell".
Next up is Kundorez another band that plays a mixture of death metal and hardcore.
Their side of the split starts out with a spoken intro before going into a very fast and heavy direction which also uses a great amount of blast beats while the vocals are mostly deep death metal growls and after awhile the riffs incorporate elements of hardcore and the music has both 80's and 90's influences.
Grim screams can be heard at times while the solos and leads are done in a very melodic fashion and all of the musical instruments have a very powerful sound to them while the songs also bring in a great mixture of slow, mid paced and fast parts along with some of the riffing also bringing in a decent amount of melody, the production sounds very professional while the lyrics are written in their native tongue and cover real life themes.
In my opinion Kundorez are a very great sounding mixture of death metal and hardcore and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "Necro Man" and "Kunda'".
In conclusion I feel this is a very great sounding split and I would recommend it to all fans of death metal and hardcore.
And speaking of Anselmo (and to a lesser extent, Exhorder), here we have two “groove” bands out of Czechoslovakia.
Khatano is the more obvious of the two, working BLEEAH BLAH BLUURGH BLEEAAAAAAAAAHHHH!!! growly-shout vox somewhere in the Biohazard/Fear Factory/Pantera range over grinding to thunka-thunka riffing. They even have that snappy “bounce” bass right up front throughout (that faux-“funk” thing that afflicted the 90’s scene – think Massacre‘s Second Coming as the most likeable example of this nonsense).
Even so, they manage to come off more…metal, I guess, than 95% of such bands tend to be. Can’t say I was a fan, felt like brain cells were dying with each lumbering neanderthalic riff…but a hell of a lot easier to listen to than fucking Pantera, that’s for damn sure!
Kundorez lays the distortion on thick and works more of a doom/death to grindcore thing vocally and tonally on the guitar end – it’s very in your face and thick.
But then you realize after a few bars that this ain’t death metal at all…they’re doing some bouncy groove/nu metal/overly melodic thing that sounds like grindcore gone pop, but with a 90’s sensibility all over it.
While Kundorez is clearly the weirder of the two bands here and at a very fast glance would appear to be the more “metal” of the two, that’s only on the surface – play a track or two, it becomes glaringly apparent that Khatano is a hell of a lot closer to anything most of us would ever be caught dead listening to than these guys are.
I guess if you took the vocals and guitar tone/production of Kundorez and gave it to the guys in Khatano, you’d have a good death/grind band.
As it stands, you have two really fucking weird “groove” bands trying to bring some very incompatible styles to the annoying Pantera-derived template…and interestingly, it’s Khatano who comes out as the more listenable of the two in the end.