Satanath Records - Reviews: SODP026

Reviews: SODP026

'Vomit metal', that's what they call it themselves and in a way I can agree with this trio from Istanbul, Turkey. And no, it's not because the music makes me sick to my stomach. I'm used to a lot by now. It's because of the vocals on this e.p. I think they must be some of the sickest I've heard in the underground metal scene. In a way they do indeed sound like someone (in this case vocalist Damnare ) is spewing out his misanthropy, blasphemy and sheer hatred from deep within his bowels. It's a blend of blackened screams and growling death metal vocals.

And so is the rest of the music on this six-track e.p. With grinding guitars and, for the majority, brutal blast beats Hatevömit created something twisted and utterly chaotic, which isn't a bad thing in the world of extreme metal. Opener 'Necröpervertör' for example, sounds like a perfect live track, complete with a little bit of audience participation. Closing my eyes, I can see them, their horned fists raised in the air and their throats sore from screaming along while the fierce snare hammers on their eardrums.

From there on the e.p. continues in this destructive fashion, borrowing heavily from the old school black and death metal waves. Influences from bands like Bathory, Sarcophago and Mayhem are never far away. This is primitive metallic chaos at it's most intense which also isn't necessarily a bad thing. It makes a song like 'Malignance Of Torturer' a pretty wicked song, blending both genres perfectly.

What strikes me most on this album, is the sound of the guitars. Somehow they constantly remind me of chainsaws being swung around in a murderous frenzy. I quite like this sound. It's different from the ones on most black metal albums and cut deeper for some reason. I guess that's what chainsaws do. The best example, and actually best use, for this sound is the crushing 'Inhuman Lust'. While it's slower than the other songs, it has this torturous atmosphere. If songs could rip people apart, this one could wreak havoc everywhere.

If you're a fan of extreme metal and not weary of some clichés, you might want to check this thing out. Music, vocals, production quality and artwork, they all reach back to the old days where the line between death and black was still very thin, if it already existed in the first place. There is some evil stuff going on in the Turkish underground and I'm afraid there's no way in stopping it...

http://www.merchantsofair.com/reviews/hatevomit-necrovomit

Hatevomit are an international band with members from Turkey, Mexico and Cyprus that plays a very raw and bestial mixture of black and death metal and this is a review of their 2015 ep "Necrovomit" which was released as a joint effort between Symbol Of Domination Productions and Underground Resistance Records.

A very fast, raw and brutal war metal sound starts off the ep along with some blast beats and all of the musical instruments having a very powerful sound to them and after a few seconds grim black metal screams make their presence known on the recording along with some death metal growls being utilized at times.

Most of the music sticks to a bestial black/death metal direction that is very heavily rooted in the early 90's and the songs also bring in a great mixture of slow, mid paced and fast parts and the solos and leads also add a more chaotic war metal style to the bands musical sound and the whole ep remains true to a very filthy, raw and brutal sound from beginning to ending of the recording with no soft parts or clean playing ever being utilized.

Hatevomit plays a musical style that takes war, black and death metal and mixes them together in a very raw, bestial and brutal style making a very dark and blasphemous recording, the production sounds very dark, raw yet heavy at the same time while the lyrics cover Anti Religion, Hate and Destruction themes.

In my opinion Hatevomit are a very great sounding raw and bestial mixture of war, black and death metal and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE "Howling Rapture Of Mighty Death" and "Inhuman Lust".

http://occultblackmetalzine.blogspot.ru/2015/11/hatevomitnecrovomitsymbol-of-domination.html

This is raw, dirty and chaotic. It sounds like if everything was recorded by drunken evil spirits in hell’s basement. Of course, we are talking people who has been involved in extreme metal music for decades, and truly created a good homage of violent raw black metal.

All tracks are forged in rottenness and cathartic guitar riffs, but somehow the band keeps a sound direct to the bone and rabid as possible. Also, I admit that this recalls me a lot first works from Hellhammer, and its musical heritage, but here I find tons of dark ideas and holocaustic atmospheres in a peculiar perspective of the genre. Also, it’s obvious they are familiar with punkish attitude as everything has completely crude and DIY breath. There are six tracks full of hate and heaviness, and I’m sure some of you will be interested because of high doses of bad blood in each song. It’s a band featuring two Turkish guys and a Mexican drummer, who were part of a large list of bands (including Inhearted) but seems to be based in Cyprus. It’s highly recommended for those who are looking for international projects full of iron force, in black metal arts.

https://zombieritualzine.wordpress.com/2015/11/25/album-review-hatevomit-necrovomit/

HATEVÖMIT sind schon seit einigen Jahren musikalisch aktiv. Dieses Jahr haben sie wieder etwas von sich hören lassen. Ihr Werk heißt „Necrövömit“. Vertrieben wird der Silberling via Underground Resistance Records.
Auch hier geht es wieder richtig zur Sache! Old School Black Metal, gemischt mit einer gehörigen Portion Death Metal schallt aus meinen Lautsprechern. Roh und unverfälschte Songs, die den Ärger und Hass der geamten Welt in sich tragen. Druckvoll und sehr intensiv, entstehen energiereiche Melodien, die ihre Wirkung nicht verfehlen. Dabei verzichten die Herren aus der Türkei gänzlich auf Experimente und technische Spielereien. Dies verstärkt die ungestüme und harte Atmosphäre. Ein Gewitter aus Dunkelheit und aggressiven Klängen, die keine Zeit zum Luftholen lassen. Das hohe Tempo verstärkt den aggressiven Charakter der Produktion noch. Hier ist Headbangen non-stop angesagt!Sehr engagiert und ursprünglich aufgenommen, ist „Necrövömit“ ein Pflichtkauf für jeden Fan der härteren Gangart!!!!

http://www.extreminal.com/extreminal/reviewgerman.asp?id=463

HATEVÖMIT are already since a few years musically active. This year they are heart from again. Their opus is called “Necrövömit“. The cd distributed via Underground Resistance Records/Symbol Of Domination Records.
It also gets here straight down to the nitty-gritty. Old School Black Metal mixed with a proper portion of Death Metal resounds off my loudspeakers. Raw and pure songs which bear the anger and hate of the entire world. Forceful and very intense develop energized melodies which doesn't fail to have the desired effect. Thereby the gents from Turkey completely refrain from experiments and technical gimmickry. This reinforces the impetuous and hard atmosphere. A thunderstorm of darkness and aggressive sounds which let not time to breathe air. The high speed yet reinforces the aggressive character of the production. Here is headbanging the order of the day! Very dedicated and primordial recorded, “Necrövömit“ is a must-buy for each fan of the harder style!!!!

http://www.extreminal.com/extreminal/review.asp?id=1218#soivPKGTe6FzeeIp.01

Belve brutte e feroci! Ecco la definizione giusta per questi ceffi, che arrivano da Paesi come Turchia, Messico e Cipro. Non so bene che vita abbiano passato questi tre criminali per diventare così spietati, ma quello che posso dire è che ascoltando questo "Necrövömit" mi sono tornati in mente i gruppi più marci e deviati che io conosca, e parlo di gentaglia come Blasphemy, Morbosidad, Archgoat e compagnia black/death zozza e rozza. Il genere è proprio quel famigerato war black metal che non ne vuole sapere di risultare nemmeno un minimo sofisticato, e che esprime un'odio incondizionato e blasfemo, suonato col sangue agli occhi e non prestando troppa attenzione alla forma, ma piuttosto solo attento a scatenare un Inferno rumoroso e disordinato...

Vien da sè che dischi come questo non hanno bisogno di recensioni accuratissime e super dettagliate, perchè una volta che metterete il cd nel lettore, a partire dalla iniziale "Necröpervertör", fino alla conclusiva "I.T.K. (Inject the Khaos)", gli Hatevomit vi massacreranno i timpani come Attila il flagello di Dio. Batteria veloce ma priva di tecnica o quasi, chitarre ribassate e sulfuree, voce da oltretomba, approccio minimale e solo tonnellate di violenza; queste le credenziali di questo mini album, che troverà terreno fertile in coloro che amano la grezzeria elevata ad ennesima potenza, la brutalità senza confini e la blasfemia più becera. Metallo della Morte, di quello vero, non da discount e spacciato per originale.
Detto questo direi che può bastare: se vi piacciono le band che ho citato in apertura andate lisci come l'olio acquistando questo dischetto. Ovviamente i fighetti del metal devono stare lontano un miglio e oltre da dischi del genere, potrebbero rimanere stecchiti all'istante nel comprendere che, piaccia o non piaccia, il metal estremo è nato più da queste basi rispetto ad altre. D'altronde, se ascoltiamo i primi lavori di Sarcofago, Sepultura, Venom e Bathory, è facile avere una risposta del perchè ancora oggi questo stile faccia fatica a morire. E' semplicemente la stessa roba, ma riproposta con l'aggiunta di una dose maggiore di marciume e violenza.

Unico neo di questo genere di dischi è la ripetitività e il senso di noia che si potrebbe provare dopo qualche pezzo, ma i Nostri hanno pensato bene di proporci un ep di breve durata, quindi per ora va bene così, ma è indubbio che quando gli Hatevomit approderanno al loro primo, vero full-length, dovranno limare un po' di difettucci magari iniziando, a mio modesto parere, ad inserire più parti lente e funeree, e aggiungendo qualche seconda linea di chitarra, che fungerebbe da arrangiamento/arricchimento e darebbe più "cura" e pienezza al tutto.

http://heavymetalmaniaczine.blogspot.it/2015/12/hatevomit-necrovomit.html

I have no idea what the metal scene is like on Cyprus but judging from HATEVÖMIT it at least covers all spectra of metal. For some reason I would have liked for this to be more in the vein of early VoiVod but instead this is much more primitive. I’d like to say that this reminds me of Blasphemy but I can’t honestly say that I don’t remember what they sounded like. There is old school and then there is old school and then there is HATEVÖMIT. This is as raw and to the bone as it gets without it being pure and simple noise.

http://battlehelm.com/reviews/hatevomit-necrovomit/

Hatevömit (or Hatevomit, without the ‘¨’) originate from Istanbul, Turkey, and a couple of years ago they (guitarist / bassist Unholy Nuklear Terrorist and vocalist / lyricist Damnare, both formerly in e.g. The Upheaval) joined forces with the Mexican drummer Hugo ‘Revolt’ Olivos from mighty Vomitile. They did some split-contributions and demonstrational material before, and now the trio returns with Necrövömit, a six-tracker that gets released on Underground Resistance, which is owned by Unholy Nuklear Terrorist, and Symbol Of Domination Productions, a division of Satanath Records.

The band labels its musick as ‘Vömit Metal’ – yeah, whatever – because they try to have the listener throw over again and again. But you might like to swallow the puke once again???

The EP has a duration of twenty six minutes and the artwork, done by Unholy Nuklear Terrorist, shows a glimpse of what to expect. And hey, maybe their self-invented style might be pretty accurate? Vomit Metal indeed?...

Well, actually, what this three-piece brings is a mixture of old styled, uncompromising Death, Thrash and Black Metal from the First Wave edition, based on repetitive guitar melodies, recurrent yet sometimes innovative (!) drum patterns, no-nonsense bass lines and a truly vomitous throat. It’s like a structured chaos, an apocalyptic whirlwind through dimensions of old styled sonic spheres, spitting on trendy modernism, shitting on progression, puking on the urge to be renewing or original. And hey, here’s I, supporting these ideas of trying to be a new generation of extremity! Surely, this smelly shit lacks of inspiration, and at the same time it’s so inspirational!!! …contrasts to show this band’s fabulous point of view, contradictions to prove this band knows they’re right…!...

Imagine a mixture of elements from very early Mayhem, Tormentor, Mantas, Blasphemy, Bathory, Profanatica, Sarcófago, Abruptum, Bestial Mockery and Black Witchery, and you might have a clue of what to experience… But admit: this comparison does sound great, does it not?! But at the same time, expect a sound quality that lacks any über-professional support – but then again, is it necessary? Indeed, I thought so…

http://www.concreteweb.be/reviews/hatevomit

I don`t have to waste a lot of words on this, this is untight, mega old school chainsaw metal in the tradition of the late eighties, like the Mayhem demo and Sarcofago and Holocausto`s albums. Everything about this is old school as fuck and I like it.

http://www.lordsofmetal.nl/en/reviews/view/id/31221

Belve brutte e feroci! Ecco la definizione giusto per questi ceffi, che arrivano da Paesi come Turchia, Messico e Cipro. Non so bene che vita abbiano passato questi tre criminali per diventare così spietati, ma quello che posso dire è che ascoltando questo "Necrövömit" mi sono tornati in mente i gruppi più marci e deviati che io conosca, e parlo di gentaglia come Blasphemy, Morbosidad, Archgoat e compagnia black/death zozza e rozza. Il genere è proprio quel famigerato war black metal che non ne vuole sapere di risultare nemmeno un minimo sofisticato, e che esprime un'odio incondizionato e blasfemo, suonato col sangue agli occhi e non prestando troppa attenzione alla forma, ma piuttosto solo attento a scatenare un Inferno rumoroso e disordinato...

Detto questo direi che può bastare: se vi piacciono le band che ho citato in apertura andate lisci come l'olio acquistando questo dischetto. Ovviamente i fighetti del metal devono stare lontano un miglio e oltre da dischi del genere, potrebbero rimanere stecchiti all'istante nel comprendere che, piaccia o non piaccia, il metal estremo è nato più da queste basi rispetto ad altre. D'altronde, se ascoltiamo i primi lavori di Sarcofago, Sepultura, Venom e Bathory, è facile avere una risposta del perchè ancora oggi questo stile faccia fatica a morire. E' semplicemente la stessa roba, ma riproposta con l'aggiunta di una dose maggiore di marciume e violenza.

http://heavymetalmaniaczine.blogspot.it/2015/12/hatevomit-necrovomit.html

Hatevomit is een drietal, waarvan de leden uit Mexico, Turkije en Cyprus komen. Hate United ware dus ook een optie. Ze spelen een mix van black, death en thrash, die ze zelf vömit metal noemen. Het Russische Satanath zadelde ons ermee op.

Lang geleden dat ik zo een necrofiele herrie gehoord heb. War metal in een lo-fi uitvoering, maar dan niet op de Nuclear War Now!-wijze. Dit knettert snerpend doorheen je gehoorgang, zonder genade. Ja, het is totaal niet strak en soms heb je het gevoel dat er geen samenspel is, maar dat maakt het bij wijlen nog narcotischer. Rauwe en occulte vibes met een psychedelische lead, dwarsliggende en desoriënterende riffs, een oldschool blastende en thrashende drummer en een vervormde doomdeathgrunt... smerig en "bestial". De betere demo van een Zuid-Amerikaanse Beherit zeg maar, maar dan globaal genomen…

http://www.zwaremetalen.com/recensie/33764/Hatevomit-Necrovomit.html

Wie könnte eine Band wohl klingen, die Hatevomit heißt und ein schlecht gemaltes rot-schwarzes Cover mit einem Ziegenbock und einem umgedrehten Kreuz auf ihrem Cover hat? Jawohl, ihr ahnt es schon: Dieses Trio, deren Leute in der Türkei, in Mexiko und in Zypern beheimatet sind, bezeichnen ihre Musik als Vömit Metal und klingen genauso, wie ich es von ihnen erwarte: Schnell, untight, dennoch leicht verspielt, mit räudigem, schwammigem Sound und kehligem Growlgesang. So zollen sie kultigen Rumpelhorden wie Archgoat, Beherit, Black Witchery, Pseudogod oder Sarcofago Tribut, wo sie nur können, und machen ihre Sache richtig gut. Die sechs hier enthaltenen Songs haben den Spirit der alten Tage perfekt eingefangen. Ich habe mich in letzter Zeit immer wieder mal darüber aufgeregt, dass viele solcher Bands unwürdigerweise ihr Gerumpel auf Vinyl bannen... Diesen Fehler begehen Hatevomit nicht. Diese EP gibt es auf CD und Kassette. Genauso muss das sein, und genauso muss das auch klingen!

http://www.crossfire-metal.de/12598-0-HATEVOMIT-NECROeVOeMIT.html

Satana accoglie nelle fiamme i peccatori e avvicina i continenti con la sua forza malvagia. Messico e Turchia sono i gironi dell'Inferno da cui sorgono i tre membri del progetto Hatevomit. Se la quantità di chiese e moschee bruciate da questa triade ci è sconosciuta, sappiamo che dalla sua apparizione nel 2009 ha forgiato alcuni prototipi d'armi sotto forma di due split e un demo, prima di giungere all'EP discusso qui.

Il «Vömit Metal» del gruppo — che così definisce il proprio stile — è gravido di rozzume ed è un tipico esempio di passatismo, un'ode a un primitivo minimalismo. Durante l'ascolto viene spontaneo pensare a formazioni come Hellhammer, Beherit, Profanatica, Black Witchery o Napalm Death dell'era "Scum". Death metal più nero della pece e conservatore fino al midollo, ispirato dall'estremismo targato inizio Ottanta: se è questo che cercate, gli Hatevomit ve lo servono rovente da fucina.

"Necrövömit" è lungi dall'essere la sensazione dell'anno. Per alcuni sarà uno dei tanti dischi Black-Death, o «Bestial Black Metal» se preferite, ma concentra in quei venticinque minuti gli elementi e i cliché necessari a divertire.

http://www.aristocraziawebzine.com/recensioni/7487-hatevomit-necroevoemit

Auch hier geht es wieder richtig zur Sache! Old School Black Metal, gemischt mit einer gehörigen Portion Death Metal schallt aus meinen Lautsprechern. Roh und unverfälschte Songs, die den Ärger und Hass der geamten Welt in sich tragen. Druckvoll und sehr intensiv, entstehen energiereiche Melodien, die ihre Wirkung nicht verfehlen. Dabei verzichten die Herren aus der Türkei gänzlich auf Experimente und technische Spielereien. Dies verstärkt die ungestüme und harte Atmosphäre. Ein Gewitter aus Dunkelheit und aggressiven Klängen, die keine Zeit zum Luftholen lassen. Das hohe Tempo verstärkt den aggressiven Charakter der Produktion noch. Hier ist Headbangen non-stop angesagt!Sehr engagiert und ursprünglich aufgenommen, ist „Necrövömit“ ein Pflichtkauf für jeden Fan der härteren Gangart!!!!

http://www.extreminal.com/extreminal/reviewgerman.asp?id=463

International death/black metal studio project Hatevömit was formulated in 2009 with members spread across Turkey, México and Cyprus. Most prominent among the trio is Cenk Ansen, proprietor of Extreminal.com distro/zine. ‘Necrövömit’ is the band’s first EP after an assortment of demos, split releases and a demo compilation. The EP is a resounding success as far as brutality is concerned, but that’s where the positives end.

Despite but a single member hailing from the continent Hatevömit is heavily indebted to the South American war-like death/black metal sound pioneered by ‘Morbid Visions’ Sepultura, and its offshoot Sarcófago. Lesser influence is drawn from ‘Hammer Of Gods’ Angelcorpse, ‘Demoniac Flagellations’ Anal Vomit and the Australian war metal scene. No genre is harder to pull off than black/thrash metal, and while Hatevömit does a commendable take on the genre, the question remains whether the world needed it. The genre is oversaturated as it is, and unfortunately ‘Necrövömit’ has nothing substantial to add to what others did earlier, and often better, than them.

For better or worse, Hatevömit conforms to all archetypical tropes of the genre. While its purity towards its genre is laudable, ultimately it is also its undoing. Everything about the release screams of the South American tendency to overcompensate. As a result, Hatevömit regularly ends up leaning, perhaps unintended, towards the comedic end of the spectrum. Whether it’s the overuse of the umlaut (just because Motörhead does it doesn’t mean you should), the overcooked infernal imagery in logo and album art (Horncrowned has that niche sufficiently covered), or four of the band’s five releases having the word ‘vomit’ in them (Deathchain played out that gimmick far earlier and better) – at some point it stops being evil, and comes across as plain dim.

How much of this do we really need?

Howling Rapture Of Mighty Death uses psychedelic guitar melodies to great effect. Total Contamination is custodian to one of the EP’s two guitar solos. Inhuman Lust is a valiant attempt at a doom metal dirge, but doesn’t quite succeed in what it sets out to do. I.T.K. (Inject the Khaos) is the highlight of the EP. From an artistic standpoint both South America and Asia are filled to the brim with bands just like it, and as far as black/thrash metal is concerned, it is too indistinct to be of any merit. Hatevömit has its black heart in the right place, but its obvious love for the genre isn’t enough to rationalize its existence.

The performance of frontman Cenk Ansen is truly monstrous. Ansen’s ghoulish vocals recall Sadistic Intent vocalist Bay Cortez. The playing on the EP comes across as under-rehearsed, and while Hatevömit doesn’t play out of time – the whole thing would have benefitted from being played tighter, faster and more rigidly than it currently is. Perhaps it was meant as a tribute to ur-death metal combo Autopsy as ‘Necrövömit’ bathes in a similar inebriated haze as ‘Mental Funeral’, but that’s where similarities with its more established American counterpart end. The unholy atmosphere, one of the strongest suits of the band, alone isn’t enough to redeem the EP. Now is the time for the trio to step up to the plate, and push themselves to the limits of their abilities – lest Hatevömit becomes another also-ran that never amounted to anything substantial.

The home production, or lack thereof, is exactly as minimal and makeshift as one would expect from multinational undertakings such as this. While the barbarity of the project is to be applauded the lack of care that went into the production is inexcusable. Bass-heaviness alone can’t redeem a production that effectively undercuts the trio’s strengths. A more concrete guitar tone would perhaps have helped, and the whole thing would have benefitted from some more definition and clarity. The artwork by Brazilian illustrator Marcio “Blasphemator” Menezes, oozing with cliché in terms of imagery, fits with what Hatevömit intends to convey, but that’s the extent of it.

Hatevömit offers a passionate take on the black/thrash metal subgenre, and there’s nothing especially wrong with ‘Necrövömit’ as such. Its biggest bane is just how derivative of stronger bands and records it is. In a subgenre as oversaturated as black/thrash metal any band should strive to stand out in whichever way possible. In that respect this EP is simply too indistinct to merit anything more than a cursory glance. Bleeding Fist, Cvinger, Necromessiah and Goat Semen do this genre far better.

The real question one should be asking him/herself is: how much of this do we need? As it turns out, no more.

http://tometal.com/review/hatevomit-necrovomit/

Their moniker suggests this is something filthy and this band with members from Turkey, Mexico and Cyprus (something interesting on its own) live up to their name and deliver some interesting Black / Death. Formed in 2009, they already released two split albums (”Rapevomit ” with RAPE in 2012 and ”Trigon Ov Blasphemy” two years later with SATAN’S PROPAGANDA and IMPALER OF PEST), a demo called ”Drown In Vomit” and a compilation entitled ”Hatevomit”, both from 2014 with the compilation covering demo tracks and tracks from the split of that same year. Their style is basically pretty excellent, but something is missing here and prevent from calling it killer. It sounds like a rehearsal and delivers some raw and pure power but occasionally there’s something out of tune that’s distracting and interrupts the flow. The atmosphere is supreme, but the riffs miss the fundamental class to make them enjoyable being repeated so much. Because of this minor flaw it pulls them in the stream of endless overworshipping SARCOFAGO, VULCANO or SEXTRASH clones without own identity. And that’s a shame, because these guys could have delivered something strong as OBEISANCE. Sometimes they come close like on ’Howling Rapture Of Mighty Death’ and ’Total Contamination’. In case you’re attracted to bands as GOAT SEMEN or MORBOSIDAD on one hand and FAUSTCOVEN on the other, this is an interesting EP for you! Best aspect of this stuff besides the atmosphere are the vocals. They’re incredibly heavy and raw and seem like your typical death growl, but sometimes they deliver something more unique like Stevo (IMPETIGO), or Rok (SADISTIK EXEKUTION).

http://www.voicesfromthedarkside.de/Albums-EPs-Demos/H/HATEVOeMIT--10419.html

Сублейбл Сатанат рекордс Symbol Of Domination выпустил компакт интернациональной команды, которая состоит из трех человек: представителей трех стран — это турция, кипр и мексика. Можно ли представить себе более несовместимые позиции? Да черт его знает, но факт есть факт. Надо заметить, что сабж далеко не первый компакт коллектива. Который работает с ноль 9-го года, кропотливо собирает темную энергию и выбрасывает ее на подготовленного слушателя. А иногда и на неподготовленного — так интереснее, загадочнее, интригующе. Что же может произойти с человечеством, если оно станет прослушивать данный диск? Этим вопросом мы и зададимся, пока играет лазерный проигрыватель, пока крутится в приемном устройстве диск.

Но вводное слово еще собственно не закончилось. Тут я еще хочу рассказать, в каких группах играли (а может и сейчас играют)) ) музыканты формации — Baphomilitia, ex-Evilcraft, ex-Hell’s Army, ex-Rape, Mezbaha, ex-Fatalart, ex-Satanized, ex-The Upheaval, Wrathfist, ex-Natt, ex-Gravehome, Seventh Blasphemy, ex-Mictian, ex-Okkultum Threat, ex-The Upheaval, ex-Inhearted. Вот такая карта блак металла в указанных выше координатах. Теперь можно догадаться, зачем исполнители собрались в этот коллектив — HATEVOMIT, ясно, что музыканты решили сплавить все умения, наработанные персонально в единый вулкан страстей, который сурово дымится, плюется магмой и угрожает гибельными испытаниями.

А что это именно так, исполнители доказывают с первых трех нот этого диска. Самый оголтелый блак-траш-дет, какой вы себе можете представить. С атмосферными фишками, секаторами и топорами. Все для удобства восприятия. Пришлось даже поглядеть (не раз) в буклет. Ибо во втором траке уже другая манера вокалирования. И немало сюрпризов и творческих капканов подстерегает заинтересованного слушателя на дорожках этого диска.

В самом олдовом стиле работает HATEVOMIT, будто бы на машине времени вернувшись из 80-х, понабрав адского настроения и бестиальных партитур в придачу. Тут знаете, что ни трак — то закрытие ( в противоположность «открытию»), но как смачно, бездуховно и мизантропически. Мизантропия — вообще это инфернальный динозавр, на котором вся группа скачет в прошлое всем адским коллективом. И вот как раз наступило время сказать, что в некоторых местах (трак №3, середина компо) группа HATEVOMIT четко показывает, что олдовый стиль для нее не только натура и идеал, это и отправная точка для своего аудиального погружения в пучины геенны огненной.

О чем собственно нам непрозрачно намекнула уже обложка диска, выполненная в красно-черном. Обыкновенно трушные люди используют еще белую краску в своих рисунках, или оставляют пробелы. НО не HATEVOMIT. Этим таких ясно обозначенных стандартов показалось мало. Весьма характерная картинка получилась. Заметная для фэнов самого черного металла.

Когда три человека пластают дико атмосферный олдовый блак метал, то весьма трудно препарировать его составные части, ибо в данном конгломерате трудно понять откуда руки-ноги-бошки растут. Тем не менее, ряд деталей не заметить было бы смертным грехом.

Гитареро формации u.n.t. исполняет в олдовом ключе, причем мастерски и монструозно включает эксклюзивные фишечки, которые впиваются в нервную систему слушателя и оставляют на ней тяжелые царапины. В целом грохочущий чес «струнной солирующей» HATEVOMIT выжигает пейзаж троглодитского рода-племени, с обязательным кровопусканием и пожиранием всего живого (да что там скрывать — и неживого тоже). Многоопытный струнник (он отвечает за гитару и за бас), похоже, позиционирует себя частью регионального апокалипсиса и трепетно прислушиваясь к антимузыкальному хаосу, воссоздаваемому им, истинно веруешь в это.

Вокаллер дамнаре (судя по фото: поет в противогазе )) ) дает, кажется, озвучивание половине зоопарка, бестиария с такой охотой и воодушевлением, что каждая его партия выжигает дымящиеся оккультные знаки на скрижалях черного металла.

И не возможно не сказать о драммере данного произведения HATEVOMIT, revolt его кличут, а иногда он сам приходит во снах мажорных барабанщиков, путает им барабаны и подпиливает тросики. Чтобы так отрабатывать — необходимо чуткое и звериное понимание основ пекельного артистического триумфа, интуитивное постижение его высшей и низшей линии на графике безумия, апофеоза страсти и ментального голода.

Высшие оценки.

https://resurgam27.wordpress.com/2016/05/31/hatevomit-2015-necrovomit-sodp026-urr13-symbol-of-domination/

Comenzar una review diciendo que la propia banda a reseñar llama a su música “vomit metal” no es decididamente el mejor comienzo. Dejando esto a la consideración de los escuchas y abrazándome al objetivismo, “Necrovomit” es el último trabajo de Hatevomit, un trio integrado por un turco, un chipriota y un mexicano, Unholy Nuklear Terrorist (bajo y guitarra), Damnare en voz, y Revolt en batería, respectivamente.

En este EP la banda muestra una infernal muestra de black, death y grind, con vocalizaciones que van desde lo gutural hasta los gritos desgarradores, y todas las aberraciones musicales que a ustedes se les puedan ocurrir, sustentado (obviamente) por un sonido casi amateur.

Decididamente no es mi estilo preferido, pero aquellos iniciados en lo más brutal y crudo del metal deberían pegarle una escuchada.

http://rockarollazine.blogspot.ru/2016/05/hatevomit-necrovomit-2015-symbol-of.html

И идея, и облога хороши, исполнение только хромает на оба обрубка. Теперь по порядку. Записан у нас тут Goat Black, причем самого типичнейшего вида - черно-красная облога, дэтовый звук, примитивные однообразные молотящие риффы, сырость. И вот вроде бы - все ингридиенты есть, но... Временами в дорожке ударных слышны склейки, звучание треков отличается друг от друга, временами барабаны, ритм и лид-гитары никак не могут сыграться. Разумеется, если подходить с точки зрения идеологии тут все ровно, да и непритязательному фанату гоата привычны подобные косяки, а потому вообще твердая 7-ка из 10.

https://vk.com/wall-130210942_11

This ЕР contains 6 tracks and was released on the Turkish label Undeground Resistance. It has been recorded by trio from Istanbul called Hatevomit. The band's cast can be considered international, since two members are Turks and one is Mexican.

Each of the musicians has experience in a number of local bands, it means that we deal with serious people, who have spent some time on local underground scene. What can we say about music? Their style guys call "vomit metal" and with a truly southern passion are inspired by the "old school" underground extreme scene, such as early Mayhem, Bathory, Hellhammer, Sarcofago, etc..

3540356631 photo Musicians are quite true to their roots. And having eaten too many of these "roots", they spit out raw, minimalistic and dirty Black/Death Metal is in old-school style. The record’s quality is of the same kind as well and sounds very "alive", as if it has been recorded in rehearsal room located in a basement. The way they play also suits: the drummer seems to “live his own life” thus sounds distant, bass is heavy and guitar “cuts” wet basement air, and all this is seasoned with growling and screaming in approximately equal proportions.

As a result we have quite an authentic sound, inspiring with awe of crude cellars of Istanbul, where skolopendras and wood lice hide in every crevice, while around the corner one can bump into the local underground musicians whose albums are released on the Undeground Resistance label! Probably out of these cellars demons will finally come out and start torturing Christians and demolish everything and everyone on their way, at least this picture one can see in red and black as the cover of this release. No rate, only for fans of the genre.

http://metalheads.by/en/review/hatevomit-necrovomit-ep.html

Данный 6-песенный ЕР, выпущенный турецким лейблом Undeground Resistance, записан базирующимся в Истамбуле трио Hatevomit, состав которого считается интернациональным, так как двое участников - турки, а один - мексиканец.

Каждый из музыкантов имеет опыт работы в ряде локальных групп, то есть дело мы имеем с людьми солидными, проведшими не первых год на локальных андеграундных сценах.

Что же можно сказать о музыке? Свой стиль парни именуют не иначе как "vomit metal" и, с поистине южной страстью, вдохновляются "старой школой" андеграундной экстремальной сцены, среди их кумиров - ранние Mayhem, Bathory, Hellhammer, Sarcofago и иже с ними.

3540356631 photoМузыканты вполне верны своим корням. И, объевшись этих "кореньев", отхаркивают сырой, минималистичный и грязный Black/Death Metal именно в старом понимании этих слов. Не противоречит этому и качество записи, очень "живое", будто бы записанное на репетиционной базе, расположенной непременно в подвале. Качество игры также соответствует - барабанщик будто бы живёт своей жизнью несколько "в стороне" от двух других музыкантов, бас тяжело "ухает", гитара "режет" влажный подвальный воздух, а все это приправлено гроулингом и скримингом примерно в равных пропорциях.

В результате имеем вполне аутентичный саунд, внушающий некоторый ужас перед сырыми подвалами Истамбула, где в каждой расщелине стен прячутся мокрицы и сколопендры, а в тупике за поворотом можно наткнуться на местных андеграундых музыкантов, чьи альбомы выпускает лейбл Undeground Resistance! Вероятно, именно из этих подвалов и вырвутся в итоге демоны и начнут мучить христиан и рушить все и вся на своем пути, о чём нам красноречиво в красно-чёрных тонах и повествует обложка данного релиза.

Без оценки, только для поклонников жанра.

http://metalheads.by/review/hatevomit-necrovomit-ep.html

Лютый, и с непрекращающейся ненавистью EP релиз от сборной группы (солянка такая) с Турции, Кипра и Мексики. Хотя по последним данным, драммер Revolt из Мексики, остался играть в других проектах, которые немного поближе к нему географически, и состав несколько сменился.

По своему звучанию епишка имеет различный звук записи, по всей видимости в разное время. настоящая блевотина ненависти. Жгучая жаркая смесь в меру сырого и оголтелого блэкдэза и медленно появляющимся и исчезающим инфернальными соляками. И ведьт действительно, в соляках здесь что-то демоническое и терзающее. Думаю, что это не самые типичные метальные (рок) соло партии. Злость и энергетика композиций здесь на высоте, адепты не сильно заморачивались над гениальностью и красотой своих композиций, делая откровенно, делая искренне и грубо. Отличный материал, который я приобрёл на физическом носителе.

К слову, релиз был издан на Underground Resistance, вскоре после чего от лейбла перестали исходить какие либо известия, однако на диске указан ещё российский лейбл Satanath records и Symbol Of Domination. Впрочем, в дистро сатаната этот релиз присутствует.

https://vk.com/wall-156761772_51